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Photo Gallery

I love taking photographs and often use them to provide inspiration for my books or just to cheer me up on a rainy day when I’m trapped indoors. Here are some of my favourites!

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Greece

Paris

Cornwall

London

New York

Vermont

Pre-Order Sleigh Bells in the Snow

My first full length novel, Sleigh Bells in the Snow, will be out 29 October and can be pre-ordered now.

More information soon!

New to Sarah’s Books?

It’s hard to know where to start when an author has a big backlist (and mine is big!), so here are some suggestions based on feedback from readers.

My pick if you haven’t tried me before is my latest release The Christmas Cottage or a The Christmas Book Club, a story of friendship and romance which was a #1 Sunday Times Bestseller, or try Snowed In For Christmas, a fun, family drama with plenty of romance. For an escapist beach read try Beach House Summer also a Sunday Times bestseller and a number 1 Amazon bestseller. If you prefer to try a shorter read I suggest Moonlight Over Manhattan,
Enjoy multi-generational stories with plenty of drama and romance?

Try:

How To Keep A Secret, my first women’s fiction novel, a family drama full of twists and turns that received starred reviews from Booklist and Library Journal, or The Summer Seekers, a summer bestsellers.

In the mood for something a bit lighter that makes you smile?

Try:

Miracle on 5th Avenue, a fun, snowy uplifting romance set against the glamorous backdrop of New York City.

The Christmas Sisters, a fun, festive family drama that hit the bestseller lists in the UK, US and Canada!

Or pick up Snowed In For Christmas a feelgood, festive romcom with a big dose of family drama!

Enjoy romance with a small town contemporary feel?

Try:

Sleigh Bells in the Snow, and
Maybe This Christmas

Enjoy women’s fiction?

Try:

How To Keep A Secret, a family drama full of twists, turns and romance, with a multi-generational storyline

Family For Beginners,.

One Summer In Paris

Short on time?

Try:

Midnight at Tiffany’s, a fun novella that kicks off her Manhattan series.

Enjoy a dose of medical drama in your books?

Try:

Moonlight Over Manhattan which features Harriet, a reader favourite heroine, a cute trauma doctor, and an even cuter spaniel called Maddie!

In the mood for something snowy and festive?

Try:

The Christmas Book Club which reached no 1 on the Sunday Times bestseller list after just three days on sale.

Or Snowed In For Christmas another Sunday Times bestseller.

The Christmas Sisters, a festive family drama, and one of Sarah’s top selling books.

One More For Christmas which hit number 2 on The Sunday Times list and was a number one Kindle bestseller, A Wedding in December and Moonlight Over Manhattan,

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PUBLICITY

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Sophie James
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For UK publicity queries

Felicia Hu
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Felicia.Hu@harpercollins.co.uk

Fun Stuff

Free Reads

VIDEOS

Book trailer for Sleigh Bells in the Snow made by Sarah’s youngest son (aged 11 at the time – now a good bit older!):

Interviews

Listen to Sarah talking about A Wedding in December, why she loves writing Christmas books, and how she reads her books aloud as she’s writing

 

 

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Books

About Sarah

Sarah Morgan

© Ev Sekkides

Sarah Morgan is a #1 Sunday Times and USA Today bestselling author of contemporary romance and women’s fiction. She has sold over 25 million copies of her books, and her trademark humour and warmth have gained her fans across the globe.  Her books have been translated into 28 languages and have earned her starred reviews from Publishers Weekly, Booklist and Library Journal.

Sarah lives near London, and when she isn’t reading or writing she loves spending time outdoors, walking or riding her mountain bike. She frequently stops to take photographs, much to the annoyance of her family.

Facts About Sarah

  1. I knew I wanted to be a writer when I was eight years old.
  2. I love horses, mountains, movies, good food, books, music and anything that makes me laugh.
  3. I trained as a nurse and worked for a few years in the ER, an experience I’ve used in many of my books
  4. I fell in love with my husband at work because he was cool and calm in a crisis and my life is one big crisis.
  5. I completed my first full manuscript when I was at home with a new baby.
  6. I write on a laptop with the internet disconnected.
  7. I love to travel. In the UK my favourite places are the wild coastline of North Cornwall and the mountains of the Lake District. When I’m craving sunshine I love the Greek Islands.
  8. My favourite city is New York.
  9. I’m an extrovert and sitting in silence all day typing is torture for me. I’ve been known to talk to my laptop.
  10. When I’m not writing I love spending time with family and friends.
  11. I carry a notebook and pen everywhere. I’m always scribbling and sometimes I sneak a horse or two into my books.

Photos

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Questions and Answers

When did you start writing?

I scribbled stories as a child and carried on scribbling – different things, children’s books, thrillers, anything that came into my head and excited me enough to want to write it down. I trained as a nurse and it was only when I was at home with my first baby that I actually finished a book. Typing ‘the end’ on something felt like progress. I sent it to Harlequin and it was rejected, but the comments were positive so I tried again, and again. It never entered my head to give up. On the third attempt my first Medical Romance was accepted. That was an exciting day!

How do you come up with an idea for a book?

Ideas are everywhere! The skill is turning those ideas into a compelling story with strong conflict that keeps readers hooked. I read a lot. Books, newspapers and magazines; I talk to people – observe human behaviour and always I ask myself ‘what if’ – what if they’d made this decision instead of that one? Done this instead of that? It’s a fascinating exercise. We all make mistakes in life. We all face difficult decisions. I try and create that for my characters.

How do you get started on a new manuscript?

A story comes to me in different ways. Sometimes I will suddenly think of a line of dialogue, and that might be enough to tell me a great deal about a character and the way they are going to respond to situations. I might imagine a single scene and build the book from there. Once I have that first idea, I let the story flow. I play with the idea, make sure the conflict is strong, that the motivation is solid. Most of all I think about the characters – I work hard to make them real people, with flaws and qualities, doubts and fears, and most of all with a problem! If there’s no problem, there’s no story. I look for trouble.

Do you outline or free write?

I use both methods. I need to know my characters and the central conflict before I start. I usually have a few scenes in my head. I don’t need to know the detail at that stage. Ideas always come as I write. By the time I reach the end of my first draft I know the characters really well and that’s when the book really starts to take shape. I go back through, deepen the conflict, tighten the motivation, make the characters as ‘real’ as possible on the page.

How long does it take you to write a book?

It depends on the book. I have a schedule and deadlines but each book does vary and I make sure I allow time to get it right. Some books flow more easily than others and it’s important to build in time for revisions. I always want it to be the best it can be before it leaves me for the final time.

Do you suffer from writer’s block?

I can’t afford to suffer from writer’s block! I’ve learned with experience that if a story doesn’t seem to be flowing , then there’s a reason. Either the character isn’t right, the motivation isn’t right, or the conflict isn’t strong enough. If I’m struggling, then the first thing I do is read through what I’ve written and identify the point where it was going well. Then I try and work out why it doesn’t feel right. Sometimes I’ll call my editor and we’ll brainstorm some ideas, or I’ll call an author friend. It helps to have another perspective. Sometimes it’s good to have time away from the manuscript so I’ll give myself some distance – I’ll work on something else for a few days and then return to it. Occasionally I’ll jump forward in the book and write a scene I’m confident with, but generally I write in chronological order. And I try not to panic. I remind myself the writing is hard work. Like any job you have good days and bad days. Sometimes it flows, sometimes it doesn’t.

I love the O’Neil Brothers series. Is Snow Crystal a real place and are you planning on writing more books in this series?

A lot of readers ask me if Snow Crystal is a real place. Sadly, it’s not (or I’d be visiting too!). It was inspired by various places that I’ve visited over the years, together with a big dollop of imagination. At the moment I have no plans to write more stories in that series but you might be interested to know there is a visit back to Snow Crystal in Moonlight Over Manhattan, the final book in my New York series.

Describe your typical writing day.

I’ll concentrate on my current manuscript until lunchtime, when I check emails, read news headlines, return phone calls, put the laundry on (where does it all come from?!). Sometimes I go for a quick walk to clear my head. Once a week I meet friends for lunch – I try not to do it more often than that. The temptations are there in this job and you have to be disciplined. I work until my family arrive home. Sometimes I do more in the evening after they’re in bed. It depends on how the book is going and whether I feel I’ve done enough. There are always other things to fit in – research, revisions on another manuscript, proofs to check, promotion, emails. The job isn’t just about writing the book.

What do you love most about writing?

When an idea develops in my head and I can’t wait to write it. That’s exciting. I enjoy seeing the characters come to life on the page and hearing them speak. I love it when it all feels ‘real’.
I enjoy research – in trying to add authenticity to a story I’ve learned about everything from protecting the rainforest to archaeology.
I love when readers tell me one of my books has really helped them escape for a few hours. I love the friendship I have with other writers – they’re a great bunch of people and writing can be an isolated profession so it’s important to have a network of friends for mutual support. I appreciate the flexibility of the job. Working from home is a real advantage and I never forget I’m privileged to be a published writer.

What do you dislike about writing?

Not much. I do become frustrated when the book isn’t going the way I want it to, but I have a fantastic editor and good friends, which helps. The hardest thing for me is being alone for long stretches of time so I break up my writing day with social contact. I’m more creative that way!

What do you do when you’re not writing?

I love spending time with my family and friends. Writing is an indoor, solitary job so when I’m not writing I like to be outdoor and social! I love cooking, hiking, mountain biking, music, watching movies, reading, talking, laughing – lots of things!

What sort of books do you enjoy reading?

I read a variety of books – romance (obviously!), thrillers, autobiographies, particularly by explorers and climbers – (I’ve climbed Everest several times from the safety and comfort of my sofa). I like reading stories of triumph over hardship. As long as a book grips me, I’ll enjoy it.

If you had to give an unpublished writer one piece of advice, what would it be?

Write. How many times have you heard that? Probably as many times as I have heard people say they are going to write a book ‘one day’ or ‘when they find time’. Writers write. Not tomorrow, not next week – now, today. Write, and keep writing even when you receive a rejection. Also, it’s important to finish a book. It’s easy enough to start – not so easy to finish. It takes discipline to write and sustain a story through to the end and if you manage that, and enjoy the process, then you’re already on your way.

Do you ever read and comment on unpublished manuscripts for other people?

No. For legal reasons I cannot comment on other people’s manuscripts. The RWA offers support and advice for unpublished writers as does the Romantic Novelists’ Association in the UK, who run the New Writer’s scheme offering a critique for unpublished authors. Details are available online.

Can you recommend a book on writing craft?
Stephen King’s On Writing
Blake Snyder’s Save the Cat

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Sarah Morgan

The website of Sarah Morgan, USA Today bestselling author of contemporary romance fiction.

Lost to the Desert Warrior

‘Shh, don’t make a sound.’ Layla slammed her hand over her sister’s mouth. ‘I can hear them coming. They mustn’t find us.’

She wished she’d had time to find a better hiding place. Behind the long velvet curtains in her father’s private rooms hardly seemed like an obvious place for concealment, and yet she knew in some ways this was the safest place. No one would think to look for the princesses here. They were never allowed in his bedroom. Not even today, on the day of his death.

But Layla had wanted to see for herself that the man who’d called himself her father lay cold and still in his bed and wasn’t about to leap up and commit some other sin against her or her sister. She’d stood there, hidden by the curtain, and heard him seal her fate with his dying breath. His last words hadn’t expressed regret for a life misspent. There had been no demand to see his daughters, nor even a request to pass on a loving message to make up for years of cold neglect. No apology for all the grievous wrongs. Just one last wrong—one that would seal her fate forever.

‘Hassan must marry Layla. It is the only way the people will accept him as ruler of Tazkhan.’

Hearing footsteps, Layla kept her hand pressed over her younger sister’s mouth. Her forehead brushed the curtains and she could smell the dust. The dark was disorientating and she held herself rigid, waiting for the curtains to be flung back, afraid that the slightest movement would give them away.

From behind the protection of rich, heavy velvet she heard several people enter the room.

‘We have searched the palace. They are nowhere to be found.’

‘They cannot just have vanished.’ The voice was harsh and instantly recognisable. It was Hassan, her father’s cousin, and if his last wishes were carried out, soon to be her bridegroom. Sixty years old and more power-hungry even than her father.

In a moment of horrifying clarity Layla saw her future and it was blacker than the inside of the curtain. She stared into darkness, feeling her sister’s breath warm her hand, afraid to breathe herself in case she gave them both away.

‘We will find them, Hassan.’

‘In a few hours you’ll be addressing me as Your Excellency,’ Hassan snapped. ‘And you’d better find them. Try the library. The older one is always there. As for the younger one—she has far too much to say for herself. We’re flying her to America, where she will be out of sight and out of mind. The people will soon forget her. My marriage to the eldest will take place before dawn. Fortunately she is the quiet one. She has nothing to say for herself and is unlikely to object.’

He didn’t even know her name, Layla thought numbly, let alone her view on the world. She was ‘the eldest’. ‘The quiet one’. She doubted he knew or cared what she looked like. He certainly didn’t care what she wanted. But then neither had her father. The only person who cared about her was currently shivering in her grasp.

Her young sister. Her friend. Her family.

The news that they were planning to send Yasmin to America intensified the horror of the situation. Of everything that was happening, losing her sister would be the worst.

‘Why rush into the marriage?’

Hassan’s companion echoed Layla’s thoughts.

‘Because we both know that as soon as he finds out about the old Sheikh’s death he will come.’

He will come.

Layla knew immediately who ‘he’ was. And she also knew Hassan was afraid. So afraid he couldn’t bring himself to speak the name of his enemy. The formidable reputation of the desert warrior and rightful ruler of the wild desert country of Tazkhan frightened Hassan so badly it was now forbidden to speak his name within the walled city. The irony was that by banning all mention of the true heir to the sheikdom he had increased his status to that of hero in the minds of the people.

In a small moment of personal rebellion, Layla thought the name.

Raz Al Zahki.

A prince who lived like a Bedouin among the people who loved him. A man of the desert with steely determination, strength and patience, who played a waiting game. Right now he was out there somewhere, his exact whereabouts a secret known only to those closest to him. The secrecy surrounding him increased tensions in the Citadel of Tazkhan.

Footsteps echoed on the stone floor of the bedroom.

As the door closed behind them Yasmin pulled away, gasping for air. ‘I thought you were going to suffocate me.’

‘I thought you were going to scream.’

‘I’ve never screamed in my life. I’m not that pathetic.’ But her sister looked shaken and Layla took her hand and held it firmly as she peeped around the heavy velvet curtain. ‘They’ve gone. We’re safe.’

‘Safe? Layla, that wrinkled, overweight monster is going to marry you before dawn and he’s going to send me away to America, miles from home and miles from you.’

Layla heard the break in her sister’s voice and tightened her grip on her hand. ‘No, he won’t. I’m not going to allow him to take you away.’

‘How can you stop it? I don’t care what happens, but I want us to stay together. It’s been the two of us for so long I can’t imagine any other life. I need you to stop me opening my mouth when I should close it and you need me to stop you living your life in a book.’

Her sister’s voice was soaked with despair and Layla felt crushed by the weight of responsibility.

She felt small and powerless as she stood alone against the brutal force of Hassan’s limitless ambition.

‘I promise we won’t be separated.’

‘How can you promise that?’

‘I don’t know yet. But I’m thinking…’

‘Well, think fast, because in a few hours I’ll be on a plane to America and you’ll be in Hassan’s bed.’

‘Yasmin!’ Shocked, Layla gaped at her sister, who shrugged defiantly.

‘It’s true.’

‘What do you know about being in a man’s bed?’

‘Nowhere near as much as I’d like. I suppose that might be one of the advantages of being banished to America.’

Despite their circumstances, a dimple flickered at the corner of Yasmin’s mouth and Layla felt a lump in her throat. No matter how dire the circumstances, her sister always managed to find a reason to smile. She’d brought laughter to places without humour and light into the dark.

‘I can’t lose you.’ She couldn’t even bear to think of that option. ‘I won’t lose you.’

Yasmin peered cautiously across the room. ‘Is our father really dead?’

‘Yes.’ Layla tried to find some emotion inside herself but all she felt was numb. ‘Are you sad?’

‘Why would I be sad? This is only the fifth time I’ve ever seen him in person and I don’t think this one counts so that’s only four times. He made our lives hell and he’s still making it hell even though he’s dead.’ Yasmin’s unusual blue eyes darkened with fury. ‘Do you know what I wish? I wish Raz Al Zahki would ride into the city on that terrifying black stallion of his and finish off Hassan. I’d cheer. In fact I’d be so grateful I’d marry him myself and give him a hundred babies just to make sure his line is safe.’

Layla tried not to look at the figure on the bed. Even dead, she didn’t want to see him. ‘He wouldn’t want to marry you. You are the daughter of the man responsible for the death of his father and his beautiful wife. He hates us, and I cannot blame him for that.’ She hated herself too, for sharing the blood of a man with so little humanity. For sharing in his shame.

‘He should marry you. Then no one would be able to challenge him and Hassan would be finished.’

The idea was so outrageous, so typical of Yasmin, Layla’s instinct was to dismiss it instantly and preach caution as she always did. But how was caution going to help them when her marriage was only hours away?

Her mind picked at the idea gingerly. ‘Yasmin—’

‘It is said he loved his wife so deeply that when she died he made a vow never to love again.’ Yasmin spoke in an awed whisper. ‘Have you ever heard anything so romantic?’

Layla’s courage evaporated along with the idea. She couldn’t do it. ‘It’s not romantic. It’s tragic. It was a terrible thing.’

‘But to be loved that much by a man as strong and honourable as him—I want that one day.’

Yasmin stared into the distance and Layla gave her a shake.

‘Stop dreaming.’ The whole thing was alien to her. The only love she knew was her love for her sister. She’d never felt anything remotely romantic when she’d looked at a man. And nothing she’d read on the subject had led her to believe that would change in the future. She was far too practical a person, and it was the practical side that drove her now. ‘If they take you to America I’ll never see you again. I’m not going to let that happen.’

‘How can you stop it? Hassan is at his most dangerous when he’s afraid and he’s terrified of Raz Al Zahki. He won’t even allow his name to be spoken in the city. But everyone does speak it, of course. Especially the women. I’ve been listening.’

‘You’ve been to the souk again? Do you have no sense of danger?’

Yasmin ignored her and her voice was an awed whisper. ‘They say his heart is frozen into ice and only the right woman can melt it. It’s a bit like the legend of the Sword in the Stone you read me when I was little.’

‘Oh, Yasmin, grow up! A man’s heart cannot be frozen into ice unless he finds himself lost in Antarctica with insufficient equipment. A heart is responsible for pumping blood around the body. It cannot be “frozen” or “broken”.’ Exasperated, Layla wondered how two sisters could be so different. Their experience was the same, except that Layla had protected Yasmin from the worst of her father’s actions. ‘This isn’t legend, this is real. Stop romanticising everything.’

‘They think he will come.’ This time there was an undertone of excitement in her sister’s voice. ‘He has been playing a waiting game while our father and Hassan plotted. With our father dead, he has to have a plan for taking up his rightful place as Sheikh. Hassan is terrified. The council is terrified. They have extra guards on the doors at night. They’ve sent patrols into the desert, although goodness knows why because everyone knows Raz Al Zahki knows the desert better than anyone. No one is sleeping because they’re afraid he might enter the Citadel at night and murder them in their beds. Frankly, I wish he’d just get on with it. If I bumped into him in the dark I’d show him the way.’

Layla covered her sister’s lips with her fingers. ‘You need to be careful what you say.’

‘Why? What else can they do to me? They’re splitting us up! I’m going to America and you’re going to marry Hassan. How much worse can it get?’

‘I’m not marrying Hassan.’ Layla made her decision. ‘I’m not going to let that happen.’

‘How can you stop it? Hassan can only be the next ruler if he marries you. That’s a pretty powerful motivation.’

‘Then he mustn’t marry me.’

Yasmin looked at her with pity. ‘He is going to make you.’

‘If he can’t find me, he can’t make me.’ Not daring to give too much thought to what she was about to do, Layla sprinted to her father’s dressing room and removed a couple of robes. She thrust one at her sister. ‘Put this on. Cover your hair and as much of your face as you can. Wait here for me behind the curtain until I come and fetch you. I need to get something from the library before we leave.’

‘The library? How can you think of books right now?’

‘Because a book can be many things—a friend, an escape, a teacher—’ Layla broke off and hoped her sister didn’t notice her high colour. ‘Never mind. The important thing is that we’re going away from here. It will be like the game of Hide we played as children.’ She caught her sister’s horrified glance and wished she hadn’t used that reference. Both of them knew what that game had really meant. She changed the subject quickly. ‘Those horses you love so much—can you actually ride one if you have to?’ ‘Of course!’

Her sister’s hesitation was so brief Layla told herself she’d imagined it.

‘And I’ve read extensively on the theory of riding and the history of the Arabian horse, so between us I’m sure we’ll be fine.’ She hoped she sounded more convincing than she felt. ‘We’ll take the back route to the stables and ride into the desert from there.’

‘The desert? Why are we riding into the desert?’

Layla felt her mouth move even though her brain was telling her this was a terrible idea. ‘We’re going to find Raz Al Zahki.’

The wind blew across the desert, bringing with it whispers of the Sheikh’s death.

Raz Al Zahki stood at the edge of the camp and stared into the darkness of the night. ‘Is it truth or rumour?’

‘Truth.’ Salem stood next to him, shoulder to shoulder. ‘It’s been confirmed by more than one source.’

‘Then it is time.’ Raz had learned long before to keep his feelings buried, and he kept them buried now, but he felt the familiar ache of tension across his shoulders. ‘We leave for the city tonight.’

Abdul, his advisor and long-time friend stepped forward. ‘There is something else, Your Highness. As you predicted, Hassan plans to marry the eldest princess in a matter of hours. Preparations for the wedding are already underway.’

‘Before her father’s body is even cold?’ Raz gave a cynical laugh. ‘Her grief clearly overwhelms her.’

‘Hassan must be at least forty years older than her,’ Salem murmured. ‘One wonders what she gains from the match.’

‘There is no mystery there. She continues to live in a palace and enjoy benefits that should never have been hers to begin with.’ Raz stared at the horizon. ‘She is the daughter of the most ruthless man who ever ruled Tazkhan. Don’t waste your sympathy.’

‘If Hassan marries the girl it will be harder for you to challenge the succession legally.’

‘Which is why I intend to make sure the wedding does not take place.’

Abdul shot him a startled look. ‘So you intend to go ahead with your plan? Even though what you’re suggesting is—’

‘The only option available.’ Raz cut him off, hearing the hardness in his own tone. It was the same hardness that ran right through him. Once, he’d been capable of warmth, but that part of him had died along with the woman he’d loved. ‘We have considered every other option, and—’ He broke off as he heard a commotion in the darkness and then lifted a hand as his bodyguards emerged silently to flank him.

They were men who had followed him for fifteen years, since the brutal slaying of his father. Men who would die for him.

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